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Le Sistah Recensioni: Telefilm *Grey’s Anatomy* – Video

Posted: July 15, 2013 at 10:42 am


Le Sistah Recensioni: Telefilm *Grey #39;s Anatomy*
Siamo tornate e oggi parliamo un po #39; di Grey #39;s Anatomy. Il video dovrebbe partire dal decimo secondo 🙂 Perdonateci l #39;editing del video, questo è stato il no...

By: Le Sistah

Read the original:
Le Sistah Recensioni: Telefilm *Grey's Anatomy* - Video

Recommendation and review posted by G. Smith

Grey’s Anatomy Season 6 bloopers Gag Reel – Video

Posted: July 15, 2013 at 10:42 am


Grey #39;s Anatomy Season 6 bloopers Gag Reel

By: Ana Sofia Cátia

Originally posted here:
Grey's Anatomy Season 6 bloopers Gag Reel - Video

Recommendation and review posted by G. Smith

David Van Orden Jr. – Chronic Breathing / Pennyroyal Tea / Anatomy (Live) – Video

Posted: July 15, 2013 at 10:42 am


David Van Orden Jr. - Chronic Breathing / Pennyroyal Tea / Anatomy (Live)
Me doing a set at the Washington Theater in Washington, NJ for the Open Mic held by Amanda. Oh yeah, backing vocals on Pennyroyal Tea supplied by Danny Bloch.

By: David Van Orden Jr.

The rest is here:
David Van Orden Jr. - Chronic Breathing / Pennyroyal Tea / Anatomy (Live) - Video

Recommendation and review posted by G. Smith

Kelli Anderson’s Anatomical Designs

Posted: July 15, 2013 at 9:25 am

Kelli Anderson Anatomy Body Systems for Children's iOS app (1)

Kelli Anderson Anatomy Body Systems for Children's iOS app (2)

Kelli Anderson Anatomy Body Systems for Children's iOS app (1)

Kelli Anderson Anatomy Body Systems for Children's iOS app (6)

Kelli Anderson Anatomy Body Systems for Children's iOS app (3)

Kelli Anderson Anatomy Body Systems for Children's iOS app (5)

Kelli Anderson Anatomy Body Systems for Children's iOS app (4)

I love browsing Dribbble for inspiration before starting a design project, but rarely do I find designers posting anatomy. So you can imagine my delight when I spotted this anatomical work!

Brooklyn based artist and designer, Kelli Anderson created these beautifully designed anatomical icons and body systems for a children’s app. She uses texture and patterns to make her designs look as if they were hand cut from paper.

 

View more of Kelli Anderson work at kellianderson.com and via her Dribbble! Seriously check out her infographics which are top notch in my opinion.

 

 

Source:
http://feedproxy.google.com/~r/streetanatomy/OQuC/~3/09pH2jMji3E/

Recommendation and review posted by G. Smith

Archaic Medicinal Amulets! Vampires of London! Folk Customs on Film! Mythological Animals! The Final Two Weeks of the Morbid Anatomy Lecture Series at The Last Tuesday Society

Posted: July 15, 2013 at 3:51 am

This week marks, I am sad to say, the second to last week of The Morbid Anatomy Lecture Series at London's Last Tuesday Society. Tonight--Monday July 15th--we are delighted to be hosting the delightful Ross MacFarlane of the The Welcome Library; He will be delivering an illustrated talk on the amulet collection of Edward Lovett (1852-1933), who "amassed one of the largest collections of objects pertaining to 'folk medicine' in the British Isles" (see examples in images above). This Thursday, we are equally delighted to welcome good friend Mark Pilkington of Strange Attractor Press and William Fowler of the BFI for their "cinematic survey of The Vampires of London" in which they will, with film clips galore, explore "London's Highgate Cemetery as a locus of horror in the 1960s and 1970s cinema, from mondo and exploitation to classic Hammer horror."

Next week hope to see you for our evening of short films from the BFI pertaining to British folk customs (Wednesday July 24th) and an illustrated lecture on the natural history of mythical creatures such as satryrs in early modern illustrated books (Thursday July 25th).

Following are full details for all of these few remaining nights of the Morbid Anatomy Lecture Series at The Last Tuesday Society; Hope very much to see you at one or more!
________________________________
From Blue Beads to Hair Sandwiches: Edward Lovett and London's Folk Medicine: An Illustrated lecture with Ross MacFarlane, Research Engagement Officer in the Wellcome Library
15th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
During his life Edward Lovett (1852-1933) amassed one of the largest collections of objects pertaining to 'folk medicine' in the British Isles. Lovett particularly focused his attention on objects derived from contemporary, working class Londoners, believing that the amulets, charms and mascots he collected - and which were still being used in 20th century London - were 'survivals' of antiquated, rural practices. Lovett, however, was a marginal figure in folklore circles, never attaining the same degree of influence as many of his peers. Whilst he hoped in his lifetime to establish a 'National Museum of Folklore', Lovett's sizeable collection is now widely dispersed across many museums in the UK, including Wellcome Collection, the Science Museum, the Pitt Rivers Museum and the Cuming Museum.  This paper will offer an overview of the range of healing objects Lovett collected, the collecting practices he performed and recent efforts to rehabilitate his reputation.
Ross MacFarlane is Research Engagement Officer in the Wellcome Library, where he is heavily involved in promoting the Library's collections, particularly to academic audiences. He has researched and given public talks on such topics as the history of early recorded sound and the collecting activities of Henry Wellcome and his members of staff.  Ross is a frequent contributor to the Wellcome Library's blog and has had led guided walks around London on the occult past of Bloomsbury and the intersection of medicine, science and trade in Greenwich and Deptford.
More here.
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The Vampires of London: A Cinematic Survey with William Fowler (BFI) and Mark Pilkington (Strange Attractor)
18th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
This heavily illustrated presentation and film clip selection explores London's Highgate Cemetery as a locus of horror in the 1960s and 1970s cinema, from mondo and exploitation to classic Hammer horror.
William Fowler is curator of artists' moving image at the BFI National Archive and co-programmes the cult cinema strand at Flipside at BFI Southbank.
Mark Pilkington runs Strange Attractor Press and is the author of 'Mirage Men' and 'Far Out: 101 Strange Tales from Science's Outer Edge'. 
More here
________________________________
"Here's a Health to the Barley Mow: a Century of Folk Customs and Ancient Rural Games" Screenings of Short Films from the BFI Folk Film Archives with William Fowler
24th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
Tonight, the British Film Institute's William Fowler will present a number of rare and beautiful short films from the BFI National Archive and Regional Film Archives showing some of our rich traditions of folk music, dance, customs and sport. Highlights include the alcoholic folk musical Here's a Health to the Barley Mow (1955), Doc Rowe’s speedy sword dancing film and the Padstow Mayday celebration Oss Oss Wee Oss (Alan Lomax/Peter Kennedy 1953).
The programme provides a taste of the BFI's 6-hour DVD release 'Here's a Health to the Barley Mow: a Century of Folk Customs and Ancient Rural Games', a rich and wide-ranging collection of archive films from around the UK.
William Fowler is curator of artists' moving image at the BFI National Archive and co-programmes the cult cinema strand at Flipside at BFI Southbank.
More here.
________________________________
Of Satyrs, Horses and Camels: Natural History in the Imaginative Mode: illustrated lecture by Daniel Margócsy, Hunter College, New York
25th July 2013
Doors at 6:30 / Talk begins at 7:00 pm
Ticket price £7; Tickets here
This talk argues that the creative imagination played a crucial role in the development of science during the scientific revolution. Modern, natural knowledge emerged from the interaction of painters, printmakers, artisans, cartographers, and natural historians. All these practitioners carefully observed, pictured and cataloged all the exotic naturalia that flooded Europe during the Columbian exchange. Yet their collaboration did not end there. They also engaged in a joint, conjectural guesswork as to what other, as yet unknown plants and animals might hide in the forests of New England, the archipelago of the Caribbean, the unfathomable depths of the Northern Sea, or even in the cavernous mountains of the Moon. From its beginnings, science was (and still is) an imaginative and speculative enterprise, just like the arts. This talk traces the exchange of visual information between the major artists of the Renaissance and the leading natural historians of the scientific revolution. It shows how painters’ and printmakers’ fictitious images of unicorns, camels and monkfish came to populate the botanical and zoological encyclopedias of early modern Europe. The leading naturalists of the age, including Conrad Gesner, Carolus Clusius and John Jonstonus, constantly consulted the oeuvre of Dürer, Rubens and Hendrick Goltzius, among others, as an inspiration to hypothesize how unknown, and unseen, plants and animals might look like.
Daniel Margocsy is assistant professor of history at Hunter College – CUNY. In 2012/3, he is the Birkelund Fellow of the New York Public Library’s Cullman Center for Scholars and Writers. He has co-edited States of Secrecy, a special issue of the British Journal for the History of Science on scientific secrecy, and published articles in the Journal of the History of Ideas, Annals of Science, and the Netherlands Yearbook of Art History.
More here.
________________________________ 
All talks and workshops take place at The Last Tuesday Society at 11 Mare Street, London, E8 4RP map here) unless otherwise specified; please click here to buy tickets. More on all events can be found here. Click on images to see larger versions.
Top two images: Edward Lovett Amulets Gallery, The Wellcome Collection

Source:
http://morbidanatomy.blogspot.com/2013/07/archaic-amulets-vampires-of-london-folk.html

Recommendation and review posted by G. Smith

Unraveling the structure of sugarcane bagasse after soaking in concentrated aqueous ammonia (SCAA) and ethanol production by Scheffersomyces (Pichia) stipitis

Posted: July 14, 2013 at 8:00 pm

Background:
Fuel ethanol production from sustainable and largely abundant agro-residues such as sugarcane bagasse (SB) provides long term, geopolitical and strategic benefits. Pretreatment of SB is an inevitable process for improved saccharification of cell wall carbohydrates. Recently, ammonium hydroxide-based pretreatment technologies have gained significance as an effective and economical pretreatment strategy. We hypothesized that soaking in concentrated aqueous ammonia-mediated thermochemical pretreatment (SCAA) would overcome the native recalcitrance of SB by enhancing cellulase accessibility of the embedded holocellulosic microfibrils.
Results:
In this study, we designed an experiment considering response surface methodology (Taguchi method, L8 orthogonal array) to optimize sugar recovery from ammonia pretreated sugarcane bagasse (SB) by using the method of soaking in concentrated aqueous ammonia (SCAA-SB). Three independent variables: ammonia concentration, temperature and time, were selected at two levels with center point. The ammonia pretreated bagasse (SCAA-SB) was enzymatically hydrolysed by commercial enzymes (Celluclast 1.5 L and Novozym 188) using 15 FPU/g dry biomass and 17.5 Units of beta-glucosidase/g dry biomass at 500C, 150 rpm for 96 h. A maximum of 28.43 g/l reducing sugars corresponding to 0.57 g sugars/g pretreated bagasse was obtained from the SCAA-SB derived using a 20% v/v ammonia solution, at 700C for 24 h after enzymatic hydrolysis. Among the tested parameters, pretreatment time showed the maximum influence (p value, 0.053282) while ammonia concentration showed the least influence (p value, 0.612552) on sugar recovery. The changes in the ultra-structure and crystallinity of native SCAA-SB and enzymatically hydrolysed SB were observed by scanning electron microscopy (SEM), x-ray diffraction (XRD) and solid-state 13C nuclear magnetic resonance (NMR) spectroscopy. The enzymatic hydrolysates and solid SCAA-SB were subjected to ethanol fermentation under separate hydrolysis and fermentation (SHF) and simultaneous saccharification and fermentation (SSF) by Scheffersomyces (Pichia) stipitis NRRL Y-7124 respectively. Higher ethanol production (10.31 g/l and yield, 0.387 g/g) was obtained through SSF than SHF (3.83 g/l and yield, 0.289 g/g).
Conclusions:
SCAA treatment showed marked lignin removal from SB thus improving the accessibility of cellulases towards holocellulose substrate as evidenced by efficient sugar release. The ultrastructure of SB after SCAA and enzymatic hydrolysis of holocellulose provided insights of the degradation process at the molecular level.Source:
http://www.biotechnologyforbiofuels.com/content/6/1/102

Recommendation and review posted by G. Smith


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