We at Morbid Anatomy are delighted to announce a new series at Observatory developed in conjunction with master jeweler and art historian Karen Bachmann. Entitled Hairy Secrets: Human Relic as Memory Object in Victorian Mourning Jewelry, this series will explore, in a three-part lecture series and one workshop, the history of the preservation of human remains for reasons sacred and profane, culminating in the flowering of Victorian hair art mourning jewelry, or jewelry which incorporates the hair of the beloved dead.
Full details on all events follow; hope to see you and one or more! And please note: If you are interested in attending the workshop, please RSVP to morbidanatomy@gmail.com. This class is very nearly sold out, but we are hoping to add an additional class in February if interest justifies.
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"Speaking Reliquaries" and Christian Death Rituals
Date: Thursday, January 17
Time: 8:00 PM
Admission: $10
Presented by Morbid Anatomy
Part 1 of Hairy Secrets Lecture Series
In tonight's illustrated lecture--the introductory lecture of a 3-part series on human relics and Victorian mourning jewelry--master jeweler and art historian Karen Bachmann will focus on what are termed "speaking" reliquaries: the often elaborate containers which house the preserved body parts--or relics--of saints and martyrs with shapes which reflect that of the body-part contained within.
Bachmann will examine these fascinating objects from an art historical perspective, and discuss their relationship to concepts of human body parts as icons of the immortal. They will be put into the larger context of Christian death rituals, in particular the veneration of saints body parts as sacred and magical relics. Also discussed will be the extremely odd proclivities of a variety of renaissance saints, such as Catherine of Sienna who drank pus from open sores. This will serve as the genesis in our further discussions of human hair, teeth, and nails as icons of the immortal.
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The History of the Memento Mori and Death’s Head Iconography
Date: Thursday, January 24
Time: 8:00 PM
Admission: $10
Presented by Morbid Anatomy
Part 2 of Hairy Secrets Lecture Series
In tonight's illustrated lecture--the second in a 3-part series on human relics and Victorian mourning jewelry--master jeweler and art historian Karen Bachmann will explore the development of the memento mori, objects whose very raison d'être is to remind the beholder that they, too, will die. Bachman will trace the symbolism and iconography of the memento mori and death's head imagery in both Medieval and Renaissance art, focusing on jewelry. She will also discuss the development of the "portable relic" -- a wearable form of body part reliquary, will be the focus of this lecture. The importance of hair in contemporaneous art of the period will be addressed, as well as the development of bereavement jewelry with hair.
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The Victorian Love Affair with Death and the Art of Mourning Hair Jewelry
Date: Thursday, January 31
Time: 8:00 PM
Admission: $10
Presented by Morbid Anatomy
Part 3 of Hairy Secrets Lecture Series
The Victorians had a love affair with death which they expressed in a variety of ways, both intensely sentimental and macabre. Tonight's lecture--the last in a 3-part series on human relics and Victorian mourning jewelry--will take as its focus the apex of the phenomenon of hair jewelry fashion in the Victorian Era as an expression of this passion. Nineteenth century mourning rituals will be discussed, with a particular focus on Victorian hairwork jewelry, both palette worked and table worked. Also discussed will be the historical roots of the Victorian fascination with death, such as high mortality rates for both adults and children, the rise of the park cemetery, and the death of Queen Victoria's beloved Prince Albert and her subsequent fashion-influencing 40-year mourning period. Historical samples of hair art and jewelry from the lecturer's personal collection will also be shown.
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Class: The Victorian Art of Hair Jewelry with Art Historian and Master Jeweler Karen Bachmann
Date: Sunday, January 13
Time: 12 - 4 PM
Admission: $75
***Must RSVP to morbidanatomy@gmail.com to be added to class list; 15 person limit
This class is part of The Morbid Anatomy Art Academy
Hair jewelry was an enormously popular form of commemorative art that began in the late 17th century and reached its zenith during the Victorian Era. Hair, either of someone living or deceased, was encased in metal lockers or woven to enshrine the human relic of a loved one. This class will explore a modern take on the genre.
The technique of "palette working" or arranging hair in artful swoops and curls will be explored and a variety of ribbons, beads, wire and imagery of mourning iconography will be supplied for potential inclusion. A living or deceased person or pet may be commemorated in this manner.
Students are requested to bring with them to class their own hair, fur, or feathers; all other necessary materials will be supplied. Hair can be self-cut, sourced from barber shops or hair salons (who are usually happy to provide you with swept up hair), from beauty supply shops (hair is sold as extensions), or from wig suppliers. Students will leave class with their own piece of hair jewelry and the knowledge to create future projects.
Karen Bachmann is a fine jeweler with over 25 years experience, including several years on staff as a master jeweler at Tiffany & Co. She is a Professor in the Jewelry Design Dept at Fashion Institute of Technology as well as the School of Art & Design at Pratt Institute. She has recently completed her MA in Art History at SUNY Purchase with a thesis entitled "Hairy Secrets; Human Relic as Memory Object in Victorian Mourning Jewelry". In her downtime she enjoys collecting biological specimens, amateur taxidermy and punk rock.
More on all events can be found here. To see all Morbid Anatomy events, click here.
Image: Mourning brooches containing the hair of a deceased relative. Wellcome Images Source:
http://morbidanatomy.blogspot.com/2013/01/hairy-secrets-human-relic-as-memory.html
Recommendation and review posted by G. Smith
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