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Category Archives: Immortality

Ericsson takes another step towards BorgWarner Trophy immortality – RACER

Marcus Ericsson fears his girlfriend is a bigger fan of the clay bust sculpted by Will Behrends than the actual head on his shoulders. Behrends version of the Indy 500 winner has one major advantage for Iris: It doesnt talk back.

Sitting by the pool in Tryon, North Carolina, where the Swede and Iris were joking with each other and relaxing on Tuesday, the Chip Ganassi Racing driver took a few moments to reflect on his life-changing victory in May that led him to take part in one of the events final traditions in posing for Behrends and having his likeness added to the $3 million BorgWarner trophy.

I was impressed, Ericsson told RACER. Hes done a good job. This is the cool thing with the 500, all the traditions and all the things you get to do after winning. And this is probably one of the very coolest things with this sculpture and getting your face on the trophy. I think thats pretty incredible and pretty unique in the sporting world.

Indy 500 winners have a few days to celebrate the achievement before returning to the IndyCar circuit and racing the following weekend. With the season now over, Ericssons enjoying the opportunity to continue celebrating the win without the pressures of driving the No. 8 Honda to worry about.

Its tough, because you go straight from the 500 and the season gets so intense from then onwards with so many races, and obviously, I was right in the thick of that championship hunt for the rest of the year, he said. So you have to put all your efforts into that. And you put so much focus and determination to try and win that championship, its a bit hard to really enjoy and embrace the fact that I won the 500.

So going on a trip like this, and going through this whole process with the sculpturing, its been a new chance to enjoy the result we had in May. And its not confirmed yet, but I think we might get to bring the BorgWarner trophy to Sweden, so that would be amazing.

Ericsson had the honor of being Behrends 33rd Indy 500 winner to sit for the BorgWarner trophy. Hes also becoming accustomed to being introduced as the winner of the worlds biggest open-wheel race.

I think the biggest change since winning is just the fact that you will always be presented as the Indy 500 winner and thats going to be with me for the rest of my life, he said. And also, in the racing industry, you move up a lot of steps and also with the fans because of the 500 Theres been a lot more focus on me, which is different, but Im very proud of what we achieved.

We had a plan going into the month of May and we would follow that plan and execute that plan to perfection. Really, we were strong all month, we did an excellent race and it was just it was just all those things combined for Chip Ganassi Racing. So doing this sculpture and knowing it will be on the trophy for all of us forever, it just makes what we did even more special.

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Barry Bonds delivers Aaron Judge take that Giants fans will love – ClutchPoints

Aaron Judge has achieved baseball immortality, and yet he wants more. The New York Yankees star has already reached the exclusive 60-HR season club a few days ago. With almost two weeks left in the season, though, many are rooting for Judge to break the 71-HR record set by San Francisco Giants star Barry Bonds.

Another Judge story, though, will pique Giants fans interest. The Yankees star is set to be a free agent in the 2023 offseason. Because of that, Barry Bonds is campaigning for Aaron Judge to join the San Francisco Giants instead. Its certainly going to be an intriguing move if it happens. (via Yahoo! Sports)

I hope he (Aaron Judge) signs here (with the Giants), Bonds said. Can it happen? I dont know. It depends on what the Yankee payroll is. But we would love to have him, Ill tell you that. We in the Bay Areahes a Bay Area boywe hope they dont sign him, and we can get him, Bonds said. I would. Hes that good.

Indeed, Aaron Judge grew up in California, and even grew up as a Giants fan. Nabbing the hometown hero would be a massive win for San Francisco, especially after this disastrous season. A year removed from their magical 100-win season, the team has been completely mediocre, and is in danger of missing the playoffs.

The Giants will have plenty of competitors for Judges services, thats for sure. The Yankees, of course, will try their hardest to keep their star. Other teams such as the Red Sox, the Dodgers, and the Padres could be in the running as well.

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16 former Eagles among 129 modern-era 2023 Hall of Fame nominees – Inside the Iggles

For 16 former NFL stars that we were lucky enough to see in the kelly green or midnight green of the Philadelphia Eagles (some longer than others), the journey to football immortality is one step closer. The Pro Football Hall of Fame announced 129 modern-era nominees earlier this week. Each name belongs to a man that is worthy of the honor, but if were being honest, if you bleed green, were pulling for some guys a lot harder than were pulling for others.

No disrespect is intended. Still, much like the great Al Davis once said about his team, Once a Raider, always a Raider, in many ways, the same can often be said in the City of Brotherly Love. Once youre a member of the Philadelphia Eagles, youre always an Eagle.

The Hall added six quarterbacks, 17 running backs, 20 wide receivers, three tight ends, 21 offensive linemen, 14 defensive linemen, 17 linebackers, 19 defensive backs, ten punters/kickers, and two special-teams players to their list. Here were the former Eagles who were named.

Randall Cunningham is one of those players who is in his own lane, and hes responsible for the road guys like Steve McNair, Michael Vick, Donovan McNabb, Patrick Mahomes, Lamar Jackson, and so many others have all traveled on.

Regardless of how you feel about him now, you cant deny his talent. Statistically speaking, Donovan McNabb is the best Eagles quarterback that has ever lived.

Once called upon to save the Eagles season, Jeff Garcia did would he always did. He gave it everything he had, and Birds fans will love him forever.

Long forgiven for that For who? For what? statement, Ricky Watters racked up 3,794 rushing yards and 31 touchdowns in three seasons and found his way onto the Pro Bowl roster twice in an Eagles jersey.

Brian Westbrook is, without question, one of the greatest do-it-all running backs the NFL has ever seen. He would have been successful in any era of football at any level of football.

Probably more remembered for his days in Washington, Brian Mitchell spent three years in Philly and NEVER put his team in jeapardy with any decision he made as a returner. He had a memorable 85-yard run in 2000 and scored four touchdowns as a kick returner or punt returner.

By the time Irving Fryar arrived in Philadelphia, his best years were probably behind him, and he still managed to carve out 1,100 yards or more during two of his three seasons with the Eagles. He also found his way onto two Pro Bowl rosters.

Simply put, any conversation about Buddy Ryan, Reggie White, and Jerome Brown will eventually lead you to an equally lengthy conversation about Clyde Simmons. He racked up 720 tackles, 76 sacks, and 12 forced fumbles in eight years as a member of the Birds. He led the NFL in sacks in 1992 and made two Pro Bowls.

Its hard to mention Takeo Spikes name without smiling. He wasnt here long, one year to be exact, but he definitely made his presence felt. He hasnt been forgotten.

Seth Joyner is one of those guys that you can make an argument for there being a lapse in judgment for him not already being inducted. He was a two-time First-Team All-Pro (1991, 1993), a two-time Second-Team All-Pro (1991, 1992), and a two-time Pro Bowler during eight seasons in an Eagles jersey.

Eric Allen should already be in the Hall of Fame. No one with an opinion that we respect or trust believes otherwise. He possesses all of the best traits of every great Eagles corner that has followed him while owning none of their weaknesses. Hed be successful in any era of Eagles football.

Asante Samuel just had a nose for the football, didnt he? He spent four seasons in Philadelphia and racked up 23 interceptions and 64 pass breakups over that time, and he made three Pro Bowls while leading the NFL in interceptions in 2009.

His name garners both respect and admiration. Troy Vincent is a great man who just happens to have been one of the greatest football players that weve ever seen.

Gary Anderson is a member of the NFL 1980s All-Decade Team and the 1990s All-Decade Team. If were putting kickers in the Hall of Fame, he should probably already be enshrined. Will this be his year?

Jeff Feagles spent four seasons in Philadelphia and averaged 42.8 yards per boot in 65 games. For his career, hes seen the most consecutive games played by a punter (352) while stacking the most career punt yards (71,211), the most career punts (1,713), and the most career punts downed inside the opposing teams 20-yard line (55

Sean Landeta played for the USFLs Philadelphia Stars from 1983 to 1984 and spent the 1999-2002 seasons in Philly as a member of the Eagles. Like Anderson, hes a member of the NFL 1980s All-Decade Team and the 1990s All-Decade Team. Hes also a member of the Philadelphia Eagles 75th Anniversary Team while stacking 13,488 yards and an average of 41.5 yards per launch.

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God Save the Meme – Yale Daily News

Lizzie Conklin

The soul of man is immortal and imperishable Plato

Resurrection and rebirth remain a mainstay of ancient mythology and modern tropiness; Achilles was carried from the flames of his funeral pyre into immortality, the nymph Daphne lived on as a sacred laurel tree and that dog in A Dogs Purpose kept dying and being reborn as a new dog in order to find its original owner (full disclosure, I once sobbed to this movie on a plane). Recently, the clich found a new home; on Sept. 7, influencer and My Chemical Romance-cosplayer Trisha Paytas announced on Twitter, 1 cm dilated! Woo hoo! The next day, the United Kingdoms Queen Elizabeth II, the longest-reigning British monarch in history, died peacefully at Balmoral. Social media was ablaze with joking speculation that the Queen would be reincarnated as Paytass then-unborn child.

But alas, Trish was still pregnant. On Sept. 9, she took to Instagram herself, writing Sorry to the royal family and my baby alongside a picture of her bump. But the momentum had taken off; the internet had latched onto the joke. As so often happens, the bit took on a life of its own, entirely separate from the verity of the situation.

The jokes inception can be traced to TikTok. On Feb. 14, Paytas announced she was pregnant. Two days later, a video describing how Elizabeth was holding on for dear life so she doesnt get reincarnated as Trisha Paytas baby went viral on the platform. The joke eventually died out, before roaring back to life in early September, when a flurry of memes about the alleged reincarnation of the Queen as Malibu Barbie Paytas-Hacmon flooded the internet.

Its no secret that meme culture has risen to internet prominence over the last decade as a pithy, short-form way to spread jokes and news around the online world; a friend admitted to me yesterday that she found out about Brexit via a meme (she lives in London). Memes are often downplayed as silly, brainless or inane. Yet, as with any form of media, they say something about the culture they arise from.

The Queen Elizabeth memes struck me not just because some of them were really funny and also in really poor taste, but because on some level they signal the enduring influence of the late monarch. The fact that the Queens death pervaded a form of pop culture so quintessential to Gen Zs online experience speaks both to her undeniable importance over the past century and to modern disillusionment with aristocracy.

Its no secret that Gen Z has caught on to the anti-imperialist tide. Various memes reference Queen Elizabeths death with jokes about the contestants on RuPauls Drag Race, a photoshopped picture of the Lisa Rinna M&M at Balmoral and that one really funny photo of an old lady in a lavender coat clinging onto a wrought-iron fence. You know the one.

And, of course, Malibu Barbie Paytas-Hacmon. The very equating of the late queen with the daughter of Trisha Paytas who is known for controversy-laden mukbangs, an OnlyFans account called OnlyTrish and a song called I Love You Jesus which sounds exactly like youd expect it to feels like a sign of the times.

The essence of the joke, of course, lies in its irreverence. To insert the 96-year-old monarch into the life of a YouTuber with an EP called Daddy Issues and a My Strange Addiction episode where she comes out as a tanning addict is to disparage the validity of the monarchy, to relegate it to the recesses of KnowYourMeme.com.

I first intended to write a jokey POV about the Queen waking up in baby Malibu Barbies body; in fact, I latched onto the idea with a borderline-sadistic excitement. But upon sitting down to write it, the joke had lost some of its hold on me. Maybe its just because I really love The Crown, or because I watched one too many funny Queen moments TikTok compilations, or because her dogs are really cute, but I think I harbor a respect for the Queen that I wasnt aware of until I tried to undercut it so openly.

Though entangled with the ethical concerns of her seat, the Queen carried herself with finesse and grace through a job that I thought I would love at age six but now, frankly, sounds really hard and annoying. It remains to be seen what will come of the British monarchy, and I will keep laughing at baby Malibus rumored ascension to the throne, but I cant quite bring myself to be the one making the jokes.

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Albert Pujols becomes the 4th player in MLB history to hit 700 career home runs – kuna noticias y kuna radio

By Jacob Lev, CNN

With back-to-back home runs Friday, St. Louis Cardinals Albert Pujols became the fourth player in Major League Baseball history to hit 700 career home runs.

After hitting his 699th career homer in the 3rd inning against the Los Angeles Dodgers, Pujols hit a three-run blast in his next at-bat in the 4th inning to achieve baseball immortality.

Dodger Stadium erupted in cheers as Pujols rounded the bases, and his Cardinals teammates came to greet him outside the dugout as he crossed home plate. Pujols saluted the crowd and Dodgers players showed their respect to the 42-year-old legend.

Pujols joins Barry Bonds, Babe Ruth and Hank Aaron as the only players to hit 700 home runs or more in their careers.

Pujols is also the second player in MLB history to join the 3,000-hit and 700-home run club, along with Aaron.

Earlier this month, Pujols passed Alex Rodriguez for fourth on the all-time home runs list, hitting his 697th home run.

The-CNN-Wire & 2022 Cable News Network, Inc., a Warner Bros. Discovery Company. All rights reserved.

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Citizens of the Cosmos – Announcements – E-Flux

Curated byDaniel Muzyczuk.

What if Katarzyna KobrosHanging Constructionshad come from investigating zero gravity and life beyond our planet? She was probably exposed to Cosmist ideas, which were discussed in artistic circles in Revolution-era Moscow. And what if Wadysaw Strzemiskis interest in inaugurating a museum was also partly inspired by the writings of Nikolai Fedorov, who compared the world after the conquest of death and resurrection for all to a museum, a space where time is suspended? These speculations connect an intellectual movement that originated in Russia in the mid-nineteenth century with the origins of the Muzeum Sztuki.

Cosmism assumes that resurrection is possible through technology. This thought experiment led to a vision of radically transformed culture and living conditions. Nikolai Fedorovs doctrine had consequences in such remote fields as the Soviet space program, new poetry, Constructivism, museology, and even blood transfusion research.

The Muzeum Sztuki, a museum of the avant-garde, is holding an exhibition that introduces this multiplicity of ideas and the aesthetics of Cosmism. It isorganizedaround research by Anton Vidokle (born 1965), an artist and publisher who has spent nearly a decade exploring and working withthe philosophy of Cosmism in order to imagine a future devoid of death, war, decay, and the exploitation of nature. The exhibition features a series of his films, shot in Japan, Ukraine, Italy, Russia, andKazakhstan, which stage some key notions of this intellectual and artistic tradition.

The show also includes works from the Muzeum Sztukis collection as the holdings of a speculative Cosmist International. This exhibition seeks to show that the Cosmism movement has not been limited to Russia, by emphasizing the work of Ukrainian artists who have explored the field. Fedir Tetyanych was a performer, designer, painter, and poet who was deeply moved by the notion of the biosphere. He developed the doctrine of Frypulia, based on notions of eternity, infinity, and boundlessness. The show also includes the paintings of Veronika Hapchenko, a visionary painter from Krakow who illustrates various aspects of the writings of Konstantin Tsiolkovsky.

Room 1Fedir Tetyanych: From Cossacks to BiotechnospheresFedir Tetyanych (19422007) was a total artist whose work was based on a complex philosophy. He grew up in the village of Kniazhychi near Kyiv, and from there he drew his ideas. He mixed Ukrainian folklore, folk traditions, national images, and legends. He also identified himself with the Cossacka hero who personifies individual freedom. These influences were blended with his fascination for modernism, Cosmism, and science fiction, from the material aspects of his work to the ideological principles of their creation. He sourced his material from trash and added soil to his paint. This led him to invent a gesture whereby he attached the whole world to his canvas.

He called his system, Frypulia, which he also used at times as his nickname. It was a code by which humanity, radiating in either a radio wave or in a beam of light and carrying all information about itself, could be reproduced again at any point in space. As such, Frypulia evoked both eternal life and infinity.

The objects in this room are divided into three groups. One contains a large canvas depicting an immortal in an infinite universe and works on paper connecting these visions of the future with Ukrainian history (for example, a Cossack mace forming a biotechnosphere). The second is a group of works on paper from the Biotechnospheres: Cities of the Future series. The works focus on one of the artists main preoccupations: a unit for human habitation and movement. The third group is also connected to the biotechnosphere. The works on paper were used to coat one of the models for the vehicle in 1984. They imitate parts of the design.

Room 2From Zero Gravity to ImmortalityThe science fiction novel Beyond the Planet Earth, written in 1920, compared anti-gravity to swimming in the water: the travelers will dangle, so to speak, in their atmosphere: they will neither fall, nor need the floor for support. They will be like fish in the water, only they will experience no major obstacle in their motion, none of the resistance of the water. Hanging Composition 1 (192021) by Katarzyna Kobro is a work that connects Suprematism with space exploration.

The object is placed alongside an excerpt from an excerpt from Kuba Mikurdas essay film Solaris Mon Amour. This is a radical reimagining of this science-fiction classic - one made solely on the basis of found footage. This is another connection between Polish culture and Cosmism. The novel by Stanisaw Lem depicts an ocean planet capable of bringing back guests, of resurrecting dead people who were loved by the visitors from Earth. It alludes to the trauma of World War Two by showing a place where redemption and eternal life are possible.

Room 3Anton Vidokle, Citizens of the Cosmos, 2019, 30:19 minutesCitizens of the Cosmos is a film by Anton Vidokle based on the Biocosmist manifesto, written by Alexander Svyatogor in 1922. Shot on location in Tokyo and Kyiv with a group of amateur actors, volunteers, and extras, the film presents an imaginary community voicing the historical desires of Cosmismimmortality, resurrection of the dead, and interplanetarismall in the context of everyday life in contemporary Japan. Using urban shrines, cemeteries, a crematorium (actually located in Kyiv), tatami rooms, a bamboo forest, an industrial gas plant, and city streets as an open-air stage, the film gradually narrates the Biocosmist manifesto while presenting a sequence of dream-like tableaux, featuring rejuvenation through blood transfusion, funerary processions and demonstrations, a Danse Macabre, the cremation bone picking ceremony (), attempts to communicate with the dead using stethoscopes, and a theremin orchestra recital, among other scenes. Set to an original score composed by Alva Noto, Citizens of the Cosmos is an experiment in defamiliarisation: a speculative test of the universality implicit in Cosmisms premise.

Room 4The Central RoomThis room is organized around the timeline of Cosmism, organizing our knowledge about this obscure yet very influential ideology. It connects all the aspects of the exhibition that might initially seem distant from one another. The collection of the speculative Cosmist International offers an iconographic constellation that grounds the movements objectives in universal representations of death, rebirth, and space exploration. The room is completed by three paintings by Veronika Hapchenko (born 1995), a Krakow-based painter whose work is informed by the writings of the Cosmists. She uses an airbrush technique to make the visions of the future and space appear vague. The two larger paintings reference visions of the cosmos from the writings of Tsiolkovsky. The smaller work in the middle, influenced by George Gurdjieff, is here a portrait of the resurrected, infinite human beinga gnostic Anthrpos.

Room 5Anton Vidokle, Autotrofia, 2020, 31:37 minutesShot in the village of Oliveto Lucano in the south of Italy, this film both documents an ancient pagan fertility ritual still practiced in this region and tells a fictional story based on writings of the painter Vassily Chekrygin and the scientist Vladimir Vernadsky. The scripted content of the film explores the ecological dimension of Cosmism: a desire to transform and evolve so that humans would not need to kill and consume any other livingorganism to produce the energy they need to live, and instead learn from plants how to generate nutrition directly from the sun. This idea, first developed at the turn of the twentieth century, isjuxtaposed with an older, pagan celebration of King Oak and King Holly: a harvest festival in which two trees representing summer and winter are joined into one supernaturally tall tree, completing and uniting the seasonal cycle created by the orbit of our planetaround the Sun. Autotrofia wascommissioned by Fondazione Matera-Basilicata as a collaboration with the village community. The entire village participated in making the film, some helping with production and others acting in roles. Shot in Italian, the script was translated by Franco (Bifo) Berardi. The music for the film was composed by Alva Noto (Carsten Nicolai).

Room 6Anton Vidokle, Immortality for All: A Film Trilogy on Russian Cosmism, 201417, 96 minutesThe philosophy known as Cosmism has now largely been forgotten. Its utopian tenetscombining Western Enlightenment with Eastern philosophy, Russian Orthodox traditions with Marxisminspired many key Soviet thinkers, until they fell victim to Stalinist repression. In this three-part film project, artist Anton Vidokle probes Cosmisms influence on the twentieth century and suggests its relevance to the present day. In Part One he returns to the foundations of Cosmist thought (This Is Cosmos, 2014). Part Two explores the links between cosmology and politics (The Communist Revolution Was Caused By The Sun, 2015), while Part Three restages the museum as a site of resurrection, a central Cosmist idea (Immortality and Resurrection for All!, 2017).

Combining essay, documentary, and performance, Vidokle quotes from the writings of Cosmism founder Nikolai Fedorov and other philosophers and poets. His wandering camera searches for traces of Cosmist influence in the remains of Soviet-era art, architecture, and engineering, moving from the steppes of Kazakhstan to the museums of Moscow. The music by John Cale and liane Radigue accompanies these haunting images, conjuring up the yearning for connectedness, social equality, material transformation, and immortality at the heart of Cosmist thought.

Individual SynopsesThis is Cosmos, 2014, 28:10 minutesShot in Siberia and Kazakhstan, as well as the Moscow and Archangelsk regions, the first film in the trilogy on Russian Cosmism comprises a collage of ideas from the movements diverse protagonists, including founding philosopher Nikolai Fedorov. Fedorov, among others, believed that death was a mistakea flaw in the overall design of the human, because the energy of cosmos is indestructible, because true religion is a cult of ancestors, because true social equality is immortality for all. For the Cosmists, the definition of the cosmos was not limited to outer space: rather, they set out to create a cosmos, or harmonious and eternal life, on Earth. The ultimate goal, as illuminated in the short film, was to construct a new reality, free of hunger, disease, violence, death, need, inequalitylike communism.

The Communist Revolution Was Caused by the Sun, 2015, 33:36 minutesThe second part of the trilogy looks at the poetic dimension of the solar cosmology of Soviet biophysicist Alexander Chizhevsky. Shot in Kazakhstan, where Chizhevsky was imprisoned and later exiled, the film introduces us to Chizhevskys research into the impact of solar emissions on human sociology, psychology, politics, and economics through wars, revolutions, epidemics, and other upheavals. The film aligns the lives of post-Soviet rural folk and the futurological projects of Cosmism to emphasize that the goal of the early Soviet breakthroughs aiming at the conquest of outer space was less technical acceleration than the common cause of humankind in their struggle against the limitations of earthly life.

Immortality and Resurrection for All!, 2017, 34:17 minutesThe trilogys last part is a meditation on the museum as the site of resurrectiona central idea for many Cosmist thinkers, scientists, and avant-garde artists. Filmed at the State Tretyakov Gallery, Moscow Zoological Museum, the Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration, and conservation as a means of the material restoration of life, following an essay penned by Nikolai Fedorov on this subject in the 1880s. The film follows a cast of present-day followers of Fedorov, several actors, artists, and a Pharaoh Hound, who playfully enact the resurrection of a mummy, and perform close examinations of Malevichs Black Square, Rodchenkos spatial constructions, taxidermized animals, artifacts of the October Revolution, skeletons, and mannequins in scenes resembling tableau vivants, in order to create a contemporary visualization of the poetry implicit in Fedorovs writings.

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