Category Archives: Anatomy

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[There are spoilers ahead for last night's episode of Grey's Anatomy. If you haven't watched the episode yet, return to this post at a later date!]

The doctors at Grey Sloan Memorial have been battling the coronavirus pandemic all season, but last night's episode dealt the fans the first really personal COVID-19 death of the year. Miranda Bailey's mom passed away from COVID-19 at the end of Thursday night's episode, in scene that can really only be described as a punch to the gut. After that, the show paid tribute to all the lives lost to COVID-19 this year, and fans are applauding that choice.

The assertion that those who have passed away during the coronavirus pandemic aren't just faceless statistics was present throughout the whole episode, and Bailey even talked about it in her voiceover. People should be remembered for the lives they lived and the people they loved, she said. So when the show transitioned into a scrolling list of names of those lost to the pandemic, fans were gutted, but appreciated the decision. It even made some Grey's fans angrier that there are still people in the real world that don't take coronavirus seriously. Here are some of their reactions.

Grey's has been handling the pandemic in a real (but tasteful) way all season. Last night's episode was a really good reminder of what's at stake right now. So stay home, mask up, and keep people safe! Miranda Bailey said so!

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'Grey's Anatomy' Fans Are Applauding the Show's Coronavirus Tribute Scene - Yahoo Lifestyle

*SPOILERS ALERT* In the latest edition of Anatomy of a K-drama Scene, we look at Hyun Bin and Son Ye-jin's last goodbyes in Crash Landing on You and how it was overdramatic yet a memorable 'romantic' moment for drama fans.

*SPOILERS ALERT* Crash Landing on You is amongst those once in a lifetime romantic dramas which managed to leave an inimitable mark in the hearts of viewers all across the globe. A big credit goes to the passionate chemistry shared between Hyun Bin and Son Ye-jin as star-crossed lovers. While Bin played Ri Jung-hyuk, a reserved North Korean captain, Ye-jin portrayed Yoon Se-ri, a South Korean chaebol heiress.

In today's edition of Anatomy of a K-drama Scene, we delve into the couple's last goodbyes before Jung-hyuk is taken back to North Korea. Fans remember how Se-ri was shot and in a critical condition while Jung-hyuk makes the heartbreaking decision to end his relationship with Se-ri. The reason being the big border difference which will always prove to be a hindrance and maybe prove to be even stronger than their love. He disregards Se-ri's tears even though it broke him personally. Along with his Company 5 unit; Pyo Chi-soo (Yang Kyun-won), Kim Joo-muk, (Yoo Su-bin), Keum Eun-dong (Tang Joon-sang), Park Kwang-beom (Lee Shin-young) and Jung Man-bok (Kim Young-min), Jung-hyuk crosses the border with handcuffs.

In an attempt to reconcile further with her estranged daughter, Han Jung-yun (Bang Eun-jin) informs Se-ri that the love of her life is leaving which prompts the latter to rush to say her final goodbye, in spite of being in recovery mode. As she reaches the border in the nick of time, Se-ri is shocked to see Jung-hyuk in handcuffs and yells out to him running. A scared Jung-hyuk yells at her to stop running or else her injuries will hurt further and in typical romantic hero style crosses the border to embrace Se-ri. With the North Korean and South Korean officers on high alert and with guns in the air, the main leads disregard all that and are in their own tiny universe.

While trying to assure Se-ri; who blames herself for his predicament, that he will be fine, Jung-hyuk says, "Nothing will happen. But even if something happens, it's not your fault. I have no regrets. You came into my life like a gift. I'm just grateful for that." Whilst apologising for breaking her heart with his cold demeanour, an emotional Se-ri asks if she will never meet Jung-hyuk again and what should she do if she misses him. "Just wait and pray desperately. You asked if you can meet someone you miss that way. You can. I love you," as Se-ri reciprocates, "I love you. I really do."

Upon watching the sequence, you would think it doesn't get more OTT levels of dramatic than this. However, you're reeled in immediately from the get-go to the theatrics of Jung-hyuk and Se-ri's love story. It had to be a big, bold goodbye as it included the 'border' storyline. You're hit right in the feels, anticipating if it actually is the end for what could have been an incredible romance for the ages. It's also in the subtlest of moments where Bin and Ye-jin's chemistry comes beaming through.

It's in the way Jung-hyuk doesn't care with the possibility of being shot when he runs towards Se-ri simply because he can't fathom to see her in pain. It's in the way Se-ri is in shambles trying to make sense of how they got there while feeling guilty for what is happening to Jung-hyuk. It's in the way everyone around them instantly understood that it was never about any secret mission but just two people in love but from two starkly different places.

There's a sense of viewers' delight in this scene because of its heartbreaking nature. If you've been invested in this couple for 15 episodes, you're promised a tissue box worth of tears for this sequence alone. It's also one of the many scenes which tell us why CLOY is as loved as it is. Also, we did get that eventual Jung-hyuk and Se-ri happy ending so everyone wins!

ALSO READ: Anatomy of a K drama Scene: Hyun Bin and Son Ye Jin's 'candle' Crash Landing on You moment is truly underrated

What did you think of Ri Jung-hyuk and Yoon Se-ri's last goodbyes sequences in Crash Landing on You? Loved it or hated it? Share your thoughts with Pinkvilla in the comments section below.

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Anatomy of a K drama Scene: How Hyun Bin & Son Ye Jin's last goodbyes in CLOY was overdramatic but oh so GOOD - PINKVILLA

Grey's Anatomy spoilers follow.

For the 17th season of Grey's Anatomy, the show has been tackling the coronavirus pandemic and showing the frontline workers battling and struggling to try and save lives.

In episode five, Miranda Bailey had a devastating loss when her mother was diagnosed with COVID-19 and brought to the hospital where she later died.

It was heartbreaking to watch, but the most emotional moment was when Bailey sang 'My Girl' to her mother as she passed away peacefully.

Chandra Wilson, who plays Bailey, said she isn't going anywhere soon and wants to keep playing the character "until the wheels come off".

"I always say until the wheels come off, I'll be there," she told Variety.

"I think there have been so many versions of when the show would end and how the show will end that there isn't a version at this point. I keep showing up when they call me and tell me that we're doing another one!"

Related: Grey's Anatomy star addresses "profound" reunion with Ellen Pompeo in surprise return

Chandra revealed that she would love to see her character have a complete life arc.

"I would love to see the end of her I would love to see the completion of that arc, not only as a character, but with the show, but everything is dictated by story, as always but what a great story to be able to tell that I was a starter and a finisher, that's a very cool story."

Grey's Anatomy season 17 airs on ABC in the US. It airs on Sky Witness in the UK with selected episodes also available on NOW TV.

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Grey's Anatomy star Chandra Wilson addresses her future on the show as Miranda Bailey - Digital Spy

The cherry tree in my front yard was bare when the pandemic began. It blossomed in May when it felt important to think it would all be over soon. I hosted near daily distanced visits with friends on my porch, sipping coffee under its defiantly vibrant pink and white flowers. My lover, an essential worker, made a plastic contraption so that we could hug.

When the blossoms fell later in summer, and the cherries grew Viva-Glam red, passersby filled their pockets. When they bruised purple and burst rotten, the COVID-19 numbers sunk to single digits. My lover and I got tests that we waited only twenty minutes in line for, with negative results in less than 12 hours. Then we went to the beach for a week.

While swimming in Sandy Lake, near Lakefield, the water glowed a type of turquoise Id only ever seen in the Caribbean Sea, an illusion from its shallow, sandy base. We bought roadside corn and cozied up in a rented cabin. We felt normal. The only issue was wed gotten so used to sleeping alone that we lay awake at night unsure how to handle the closeness of another person.

But I now think of August with a tender nostalgia normally reserved for college drug trips and poetic, pre-Internet love affairs. Because now the tree branches on my street are bare again, and it is just me for lockdown round two. I knew it was coming but knowing ahead of time isnt always as soothing as youd expect.

A few years ago, while promoting my last novel, I told a Macleans magazine journalist that my singular goal was to be able to spend every day writing in a room by myself. In the photo they used for the article I am sitting on my ex-partners red couch, looking out the window of our shared home. You can see a hole in my cardigan that I didnt realize was there. A shoddy, hack detail that nonetheless nails quite symbolically the state of my life at the time the photo was taken. But in 2020 I have an entire apartment in which to be alone, writing, every day of this sickly slog of a year. I know that I am extremely lucky. But perhaps I should have been more specific and ambitious with my aspirations.

I begin every pandemic day by playing phone Boggle with my friend Matt. I am terrible at it. I dont even scroll to the stats page to glimpse the tally of how many times he has beaten me anymore. One would think Boggle would be a suitable game for writers, but winning is less about being a wordsmith and more about spatial intelligence, of which I have very little. But accepting a small, insignificant daily loss while connecting to a friend has become a pleasant routine, and in keeping with the larger themes of 2020.

Like most people, Ive had several big losses in 2020, too depressing to write about, and I would prefer not to.

The act of rereading, rewatching, playing a repetitive game, or doing any activity that runs lightly over existing neural pathways, has in itself become routine for me. (I reread Herman Melvilles short story Bartleby: The Scrivener one day when I could not take in anything new. It still, as the kids say, slaps.) Now, I prefer reruns of shows like Greys Anatomy, whose predictable moralism and inane expository dialogue feels like a comforting hug when a real one is forbidden. Which is good for self-care, but bad for art.

What literature is going to come from this moment of pause? From this collective fear? Its a curious question to ponder in the semi-final stages of preparing a book manuscript, especially since everything I write about is, at its core, about anxiety. With this new book I found myself shifting the story to stagnant places. Why should my protagonist have an emotional arc, when that idea seems from the Before Times? Why are these crazy people I invented in 2018 allowed to kiss?

But Proust wrote In Search of Lost Time in bed, did he not? I ask my kitten, who responds by climbing me like a tree with his little knife hands.

To write well one must have a flourishing inner life, an ability to sink deep into an esthetic project and live in that pretend world. But for me it also helps to have real connections to the present moment. I palm handfuls of potting soil, trying to keep a geranium alive that my kitten insists on hollowing out every morning, because he knows it will rouse me, usually from a nightmare about standing in a crowd without a mask. (This dream has replaced the one about having to go back to high school naked.) My hands in the soil feels grounding, but sometimes I rarely speak for days, and connections to voice and spoken language fray, which can fracture a relationship with the present moment.

For example, the other day I blurted out something personal about my diet to my barista, because shed noticed Id changed my order. She is the one person I speak aloud to every day, so perhaps the misfire was appropriate. A comedy sketch aired that I wrote for The Baroness von Sketch Show about the daily emotional arithmetic of being an introvert. And while it did I texted a friend about how I longed to be dancing, sweaty, arms-raised and hair swinging loosely back and forth, bookended by strangers. Is COVID-19 going to make me over as a bubbly extrovert, ready to network my way back into an in-person career?

But there is something about this time that feels familiar. I grew up on a farm in the 70s and 80s, a time when childhood was largely unstructured, and my brother and I were encouraged to be imaginative and independent. Sometimes I catch myself staring out my window, watching my city-faced neighbours like a TV show, the way I used to watch the worms in our driveway, or the sheep in the pasture when I was a child, when the pace of life was slow and real TV was forbidden.

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I chat late into the night with my friend Dean in Iowa about our broken hearts and screenplay ideas. I make plans to meet a couple in Philadelphia Ive only met over Zoom, but who fill the interstitial moments of my work day with warmth and connection. My writer friend Jen in Vancouver sent me beautiful skin care products to soothe my broken heart. A friend from Instagram sent me brownies, another few sent flowers and cards when they knew I was grieving. No one is exactly OK, but we are finding what comfort we can this way, and for those of us who live alone, it feels life-saving.

So I encourage you to scroll your Netflix re-watch list or thumb through that well-worn paperback novel, play a losing game of Boggle, send some roses to your Instagram friend whose dog videos make you smile, send a hug emoji to the group text, and in the immortal words of the prophets vocal group Wilson Phillips, hold on for one more day.

Zoe Whittall is the author of The Best Kind of People. Her next novel, The Spectacular, will be out in August 2021.

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Zoe Whittall: I started by rereading Melville; now I prefer reruns of Greys Anatomy which is good for self-care but bad for art - Toronto Star

The icon chatted with Coveteur about her career, the cultural relevance of Greys Anatomy, and her hopes for the future of the Debbie Allen Dance Academy.

Growing up as a dancer, Ive always thought of the dance world as having four wonders: Katherine Dunham, Alvin Ailey, Josephine Baker, and Debbie Allen. Throughout my 24 (nearly 25 in a few weeks) years of living, I can confidently say that my mother has always made sure I was up to snuff on the legend that was Debbie Allen. As a choreographer, actress, director, producer, and Emmy award-winning phenomenon, Allen has been making more than an impact to match her legacy on the world of arts, television, and film that contribute to Black culture far beyond the 1980s. And as a die-hard fan of A Different World, honorary member of Grey Sloan Memorial Hospital, and Black girl dancer, interviewing Debbie Allen was an honor and privilege.

On a Wednesday afternoon, I joined the conference line to await the voice of Ms. Allen herself. Hi, DShonda! she said, filled with joy at nearly 9:00 AM in the morning. I had no idea thereafter that every word with the Fame actress and principal choreographer would be one for the books filled with wisdom and experience curated from her 40 years as a Black woman in Hollywood, a mother, sister, friend, and cultural icon.

As a woman with the world of performing arts at her fingertips, I absolutely had to ask her about how her mental health was being managed during the pandemic. She burst into laughternot in a condescending why would you ask me that type of tone, but laughing at the current state of the world and having to work around it. Im sorry, I had to laugh. I dont have the luxury of doing anything else other than being mentally healthy. I dont have the luxury to go off the rails, so I dont even know what that means, she shared.

You would think that even during the pandemic, the legendary Allen would be able to take some time off to practice stillness. I guess when youve been working since 1970, the green light may be all youre accustomed to seeing, even when the world is on pause. Amidst the crazy election cycle finally winding down and the pandemic coming into a second wave, the Dancing in the Wings author let out a sigh before telling me about the relationship between her creativity and COVID-19.

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Allen revealed that she had shut down the Debbie Allen Dance Academy on the same day that the set of Greys Anatomy shut down, but that didnt mean that the show was over. Everybody was in the office; we sent out letters, but I said were not gonna stop, she told Coveteur. While everyone was confused at first, Allen proposed virtual classes that would be announced on her Instagram account and immediately resume the following Wednesday. When she was challenged with the five Ws and how she would get it done, she responded, I dont know, but were doing it. And so she did.

Her first classes amassed over 35,000 virtual attendees worldwide with the assistance of managing producer Major King and development manager Haley Fonfa to figure out the technological aspect. Before we knew it, we were a Zoom studio and we didnt even know what that meant, she admitted. Over the course of the summer, shes had over 250 students in her summer intensive program from all over the world including Brazil, Germany, and Australia.

Growing up, Allen was born in segregated Houston and was the third child to an orthodontist and a Pulitzer Prize-nominated poet, artist, and scholar, but she knew that her dreams were far bigger than Texas alone. Though the opportunities were slim pickings, her mother, Vivian Allen, recognized the raw talents of Debbie and her sister, now Tony Awardwinning actress Phylicia Rashad, and made the executive decision to relocate the family to Mexico to further pour into Debbies dance passions.

At four years old, I knew it then, the Howard University graduate shared about when her passion for dance first started. I was running around my grandmothers living room and dancing to the radio. When we got a television, I would watch the musical films all Saturday morning, and I saw myself at four years old knowing thats what I wanted to do. And she knew she was destined for greatness from that point on. Allen was accepted into the Houston Ballet Foundation at 13 years old after having been rejected for six years, but the drive and tenacity required from her for the four years to follow would mold her into the dancer, choreographer, and cultural icon we know her as today.

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After graduating from one of the top HBCUs in the country with a degree in theater, Allen went on to pursue a career on Broadway and landed roles as Anita in the 1980s West Side Story and Sweet Charity. To this day, we must recognize that without the great Debbie Allen, we would not have Famethe original and rebooted versionsA Different World, or the esteemed Debbie Allen Dance Academy. However, we would be remiss if we didnt pay homage to the five-time NAACP Image Award recipients achievements as a director, producer, and actress on ABCs groundbreaking hit medical drama series Greys Anatomy.

Ive been really busy, and certainly, putting Greys Anatomy back on its feet is a feat in itself, the Catherine Avery actress said. The meetings, the hours of Zoomoh my god. Hours and hours and hours, days and months of the protocols [on] how do we do it and be safe. Were in a war right now with this COVID, and it took a lot, but finally we figured it out and were doing it. Were lucky that weve been able to move forward and now were on our ninth week of shooting, she said before she interrupted and corrected herself.

No, actually, its been more than that. We started shooting September 8th, and its now November, so weve been doing it for two months and some change, Debbie said. My inner Greys Anatomy fan was geeked out to steer the conversation in the direction of this iconic show and her role in it as an actress and behind-the-scenes director.

Though most of us may think of Allens connection to Greys as Catherine Avery, what most may not know is that Shonda Rhimes hired Allen to serve as an executive producer and director in the twelfth season. This role was by far one of Allens most culturally shifting duties to date, including the responsibility of curating a coalition of directors every year, to which she solemnly swore to put women in the directors seat for at least half the episodes per season. In an effort to make women, both transgender and cisgender, seen in the entertainment industry, Allen has even given the chair to costar Ellen Pompeo, who plays Meredith Grey.

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Greys Anatomy is not only recognized for being the longest-running prime-time medical drama in the country, but their cultural impact beyond television and film has touched women, minorities, LGBTQ+ people, and allies across the world. Thankfully, Allen has been able to be part of this family since 2011.

We are one of the most culturally relevant aspects of the American culture as we present ourselves to the world, and its very important that we tell our stories from our point of view that could only come from that, Allen said proudly about Greys position in entertainment telling the stories of Black America and the more recent pandemic outbreak. She continued to stress the importance of collaboration within entertainment for the betterment of the non-monolithic Black narrative by using the late Chadwick Bosemanstarring film as a prime example. Black Panther happened and it is a phenomenon, and Ryan Coogler directed it, who did Fruitvale Station. [We see] all of those young, beautiful people who are in that movie, and it was a production that came out of Disney. That is many different voices coming together that gave this one voice resonance that touched the entire world and touched the planet.

Allen recognizes the growth, evolution, and change within the nature of the universe and encourages us to all be thankful for it as we witness the cultural growth off and on screen. When it came to the Hot Chocolate Nutcracker, Allen knew that she was taking something so traditional and conventional and transforming it into a phenomenon all her own that would give hope and representation for future generations. The kids have a sense of seeing themselvesthats everything. I can remember when I was a little kid, the only Black person on TV Id see was Leslie Uggams when I was a little bitty girl on something called Sing Along with Mitch. There was Diahann Carrolls Julia. We didnt see ourselves in those lead positions. We might be a maid or a chauffeur, but we werent the lead.

Fast-forward to 2020, Debbie Allen is the leading lady in her own Netflix documentary film, Dance Dreams: Hot Chocolate Nutcracker. Allen confessed that she founded the Debbie Allen Dance Academy in honor of her daughter Vivian Nixon. She needed somewhere else to go, and all these kids needed somewhere else to go where they could put their feet on the ground and have their cultural identity at the same time, she said. The film highlighting Debbie Allens iconic career, the reinvention and reimagination of Tchiacovksys original 1982 two-act ballet performance, and the inspirational students and instructors from DADA was executive-produced by a familiar face in the industrythe one and only Shonda Rhimes. This was totally Shonda Rhimes idea to put this on Netflix, she laughed as she passed off the credit to her Greys Anatomy family member.

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She took it and shaped it into what it is now. She masterminded it becoming what it is, Allen praised Rhimes. Oliver Bokelberg shot it, Shonda took it to Netflix and reshaped it so its now something thats going to be in 180 different languages. The world will see these beautiful kids doing what they do bestjust learning, being disciplined, and onstage performingand what that means to them. Thats everything, and I think its inspirational. Did you find it inspirational when you watched it? she prompted me.

This interview had now become a full-blown conversation with Debbie Allen as I ensured her that my unique experience as a Black girl dancer from Brooklyn was paralleled to hers and the students who shared intimate interviews in Netflixs Dance Dreams. There you go, you understand it. Youll be able to write about it better than anything I could say, the icon said to me after I told her about the cultural messaging and unique position of herself and the Debbie Allen Dance Academy as an inspiration to myself and other young dancers of color around the world. Pinch me.

Before we parted ways, I asked her about her hopes for Hot Chocolate Nutcracker and the legacy she hopes it will leave for future generations. Were still in the making, so I cant think about leaving anything right now. Im thinking about building. Were in the middle of a capital campaign. Were gonna raise seven million dollars to finish this building, and it is for these children. This is a cultural center. Its gonna be called the Shonda Rhimes Performing Arts Center that houses the Debbie Allen Dance Academy and Debbie Allen Middle School. Im starting a school in the fall. Im in the building stages, so Im moving, she exclusively revealed about her forthcoming plans to pour into the younger generation with education, love, and empowerment. Allen ended our conversation with humility, grace, and a reminder that even at the age of 70 years old, she is only scratching the surface.

I am not thinking about legacy. Im too much in the building of going up right now. When you start talking about legacy, youre looking back like youve done it. Im just not there yet.

Photos: Courtesy of Netflix 2020

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Debbie Allen on Dance Dreams, Grey's Anatomy, & the Power of Legacy - Coveteur

Kim Raver debuted in the Greys Anatomy show in season 6 as a cardiothoracic and trauma surgeon. Later in season 8, she leaves indefinitely for Germany to work in the Army Medical Command.

Raver, who is referred to as Teddy Atman on the show, later returned on the show in season 14. However, her return displeases her fans, who are quite infuriated with her character when she returns. A fan commented on Reddit the following; Despite having other fascinating storylines, we only had to get Teddy back!

In Greys Anatomy, there is a lot of assumptions about Teddy and Owens relationship. The sparkle between the two is quite pronounced in season 14; Owen even follows Teddy to Germany. Their intimate relationship is almost predictable, but the accidental conceiving of a baby is something the fans didnt quite expect.

Although at first, the relationship seems healthy, things later turn sour on the two medics. Balancing between handling a toddler and an involving medical career becomes quite challenging for the two.

Later Teddy finds out that Amelia might have conceived Owens baby, which definitely wrecks her. In the strange turn of events, Teddy ends up confiding in her ex-boyfriend, Tom Koracick.

Teddy and Toms connection is obvious, and the two end up having an affair behinds Owens back. Later on, Teddy learns that the baby Amelia is carrying is not Owens, and she blames herself for having an affair.

RELATED: Greys Anatomy: What Would a Satisfying End to the Series Look Like?

In the episode Love of My Life, the Greys Anatomy show clearly reveals that Teddy is a peculiar woman. The back story on this episode portrays that Teddy was romantically involved with Allison, who later died in the terror attacks.

Coincidentally the love triangle between Allison and Teddy has some similarities to that of Teddy and Owen. In both relationships, three people are involved; in her first relationship, Claire was involved, while in the second, Tom is also involved.

In the same episode, we also learn that Teddy actually named her child after her lover, Allison. Fans think its weird and wrong naming her child after her allegedly best friend without informing Owen about the romantic involvement and attachment.

Fans can forgive Teddy for portraying impropriety in the show, but having an affair on the wedding eve is inexcusable. Making it worse, she accidentally recorded a voicemail during the intimate sessions for Owen. So, you can imagine the frustration Owen had to face before the proposed wedding on overhearing the encounter.

After having an affair, Teddy proceeded unapologetically and put on her wedding dress, awaiting her big moment, the wedding. The turn of events is ridiculous, and her character made fans displeased by her lack of empathy about Owens feelings.

In season 17, Owen confronts Teddy about the affair. In the uneasy conversation, Owen asks if there is anything she is hiding from him; he further professes that he trusts her and loves her. In this episode, we see that their relationship and friendship matters more to Owen, but Teddy is unbothered and continues to lie and have an affair.

As expected, Teddy denies hiding anything from Owen despite him probing for answers. Owen then takes out his phone and plays the sex voicemail Teddy accidentally left for him. Teddy is startled upon the revelation that Owen knows the truth.

She is confused about handling the situation, and the teary Owen leaves the room. Redeeming the dysfunctional relationship is almost impossible.

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'Grey's Anatomy' Never Should Have Brought Teddy Back - Showbiz Cheat Sheet