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Category Archives: Anatomy
Markered Anatomy
Love the lines in these anatomical pieces by Flickr user doesthepope. I admire the patience and meditation that goes into intricate, yet free-flowing linework.
If you ever find yourself stuck in a boring meeting or class, try doodling in this type of style. It’s been found that doodling simple repetitive shapes or shading figures actually increases focus and recall. Can’t get in trouble for that!
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Vanitas Drawing Featuring Real Human Skeleton, With Classically Trained Artist Lado Pochkhua: Observatory, 6 Mondays Beginning Jan. 9
We have a new art class beginning on Monday, January 9th that I am very very excited about. Lado Pochkhua, an accomplished classically trained artist from Eastern Europe (see following bio) and artist in residence at our sister space Proteus Gowanus will, using a variety of artifacts drawn from The Morbid Anatomy Library, teach students to create and draw their own “vanitas”--or mortality-themed still life--compositions. The main star of said Vanitas composition will be the genuine human skeleton recently donated to the library, which you can see in the photograph above.
Full details follow; this is sure to be a awfully terrific class. Hope very much to see you there!
Vanitas Drawing Class with Classically Trained Artist Lado Pochkhua
Date: 6 Mondays, January 9th through February 13th
(Jan. 9, Jan. 16, Jan. 23, Jan. 30, Feb. 6 & Feb. 13)
Time: 7:30-10:00 PM
Admission: $110 (classes can also be taken individually on a drop-in basis for $20 per class)
*** This class has a 10 person size limit; Please RSVP for full course at morbidanatomy [at] gmail.com
This class is part of the Morbid Anatomy Art AcademyVanitas is a genre of still-life painting that flourished in the Netherlands in the early 17th century. A vanitas painting contains collections of objects symbolic of the inevitability of death and the transience and vanity of earthly achievements and pleasures, exhorting the viewer to consider mortality and to repent.
This Vanitas course will comprise six drawing lessons in which, using artifacts drawn from The Morbid Anatomy Library, students will learn how to create and draw their own “vanitas” composition. The ultimate goal of the class will be not only the creation of this particular drawing, but also understanding of the principles of classical drawing. The instructor will also share historical images throughout the course.
No previous drawing experience necessary; all levels are welcome!
MATERIALS
Please bring with you to class:
- One drawing pad at least 18" X 20" with a firm back; paper Fabriano or Arches, or Strathmore 400
- Pencil: HB, 2B, 4B, simple graphite pencils, (no charcoal !!!)
- Eraser
ABOUT THE INSTRUCTOR
Lado Pochkhua was born in Sukhumi, Georgia in 1970. He received his MFA in Painting and Printmaking from Tbilisi State Art Academy in Georgia in 2001. He currently divides his time between New York and Tbilisi, Georgia.Selected Exhibitions:
- 2011 “Works from the Creamer Street Studio,” at the Literature Museum, Tbilisi Georgia (solo show)
- 2010 “Paradise ” at Proteus Gowanus, New York
- 2009 “Prague Biennale 4,” Georgian pavilion
- 2009 “The Art of returning Home,” Arsi Gallery, Tbilisi Georgia (solo show)
- 2008 Gardens, Ships, and Lessons, K. Petrys Ház Gallery, Budapest, Hungary (solo show) Exhibition of Georgian Artists, Festival OFF EUROPA ditorei Gallerie NBL, Leipzig, Germany
- 2004 Artists of Georgia, Georgian Embassy, London, UK
- 2003 Curriculum Vitae: a retrospective of 20th century Georgian art, Caravasla Tbilisi History Museum, Tbilisi, Georgia, Waiting for the Barbarians, Gallery Club 22, Tbilisi, Georgia (solo show)
- 2001 21 Georgian Artists, UNESCO, Paris, France
- 1998 Magical Geometry, TMS Gallery, Tbilisi, Georgia (solo show)
There is a 10 person limit for this class; you can sign up by sending an email to morbidanatomy [at] gmail.com. This class is one of the newest installments in the series newly termed The Morbid Anatomy Art Academy; to find out more about that--including a full class list thus far--click here.
Images: Top image: Still-Life with a Skull, "Vanitas" by Philippe de Champaigne (1602–1674) via Wikimedia; Bottom image: Skeleton from The Morbid Anatomy Library who will be featured in our Vanitas compositions
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Happy New Years from Your Friends at Morbid Anatomy
Happy New Years and bonne année to all of you, on this, the last day before we ring in the final year of the Mayan calendar.
All images found here.
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Skeleton Typogram
Aaron Keuhn is a typographical manipulator who’s latest piece takes on the human skeleton in an easily digestible format.
From Keuhn,
Exo… Endo… Typo! Your life, your organism, your soft tissues but a puddle on the ground, if not for the ancient segmental structure of the Vertebrates. The original hard core is evolving for 400 million years now. Hominids, like you, are using the latest upright technology originating only 4 million years prior. Here it is, updated, and reconstructed in a 2 dimensional static representation of long-stride locomotion for your screen or paper! The component bones, ordinarily constructed with rigid mineralized tissues, have been entirely typo-grammatically replaced with 676 free and fused glyphs, together forming a complete skeletal diagram in Latin.
[spotted by Mr. Nick Hahn]
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Klaus Weber, If You Leave Me I’m Not Coming
Photos by Jasper Rooms
German artist Klaus Weber, has what looks like a fantastic exhibition, called If you leave me I’m not coming, going on through January 9th at the Nottingham Contemporary. The exhibition, according to Nottingham Contemporary, takes on the natural world and our changing view of what is natural.
I can’t really tell from the photo, but I’m assuming the brain is cauliflower.
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Molotov Heart
Powerful Molotov cocktail hearts by photographer and mixed media artist, Francis Baker.
Francis says of his pieces:
I created this work, inspired by the Egyptians and the so called Arab spring. The visual starting point is the Molotov cocktail that has been the weapon of choice for the protesters. There is a connection in any conflict between the combatants.
[spotted by Noah Scalin]
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