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Category Archives: Anatomy

App Wrap: "Leonardo Da Vinci: Anatomy" and "Blueprints 3D"

YNN highlights the coolest and newest apps for your cell phone or mobile device in the twice-weekly segment App Wrap. YNNs Adam Balkin filed the following report.

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Leonardo Da Vinci: Anatomy There's a good chance you've seen the drawings of Leonardo da Vinci, but now a new app lets people fully appreciate what makes them so amazing. The "Leonardo da Vinci: Anatomy" app lets users pour over every single one of his 268 detailed drawings of the human body.

They can zoom in to see just how detailed Leonardo got, and some of the drawings have even been turned into 3-D models, for users to better understand just how well he understood anatomy more than 500 years ago.

If that doesn't help, there are also expert interviews to lay out why they are so impressed with how accurate his sketches are.

Users can also get close on his well-documented "mirror image" notes, view them with a virtual mirror and translate them.

"Leonardo da Vinci: Anatomy," which was created to coincide with an exhibit of his drawings at the Queens Gallery in Buckingham Palace, is an iPad app for $13.99.

Blueprints 3D From blueprints of the human body to actual blueprints, there is now a game called "Blueprints 3D." Users choose a category from architecture to electronics to space to animals.

What they then see as they begin a level is a bunch of scattered lines, and the goal is to twist and rotate the lines so that they are in the perfect place to recreate a blueprint of something, from the Statue of Liberty to a hamster. Users do not know what it is they are done.

There are three levels that make the app increasingly harder.

The rest is here:
App Wrap: "Leonardo Da Vinci: Anatomy" and "Blueprints 3D"

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Poster Made From Skin

Chaos Crew skin tattoo poster

Chaos Crew skin tattoo poster

Chaos Crew skin tattoo poster

Munich based tattoo shop Chaos Crew created a poster identifying newsworthy events from 2011. What makes this poster so special? It’s calfskin, and the art wasn’t screen printed or painted, but tattooed on!

It’s a great concept—though it does make me cringe a little.  I have a decent number of tattoos and yet, there’s still something kinda eerie about this.

[source: BuzzFeed]

 

Source:
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The Skills Room

Cristiana Montis Skills Room (5)

Cristiana Montis Skills Room

Cristiana Montis Skills Room (4)

Cristiana Montis Skills Room (2)

Cristiana Montis Skills Room (3)

Cristiana Montis Skills Room (1)

London-based photographer, Cristiana Montis created this series of photographs based off of the manikins used in the Canterbury Christ Church University skills labs.  Cristiana’s compositions create a sense of sadness and isolation around the manikins in each photograph.

She says of her experience,

The adult and young person manikins are life-size and are unsettlingly similar to the real thing in both appearance and touch.

All in all the skills labs provide an insightful and odd environment where real and pretend merge into a life-size ‘doll-house’ where the cycle of life and death is played out day after day by life-less objects.

View her entire series at cristianamontis.com

 

 

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Riemsdyk’s Gravid Uterus Tattoo

Riemsdyk Gravid Uterus Tattoo Plablo Xno

Jan van Riemsdyk Gravid Uterus 1774
Illustration via Dream Anatomy

This is one historical anatomical illustration that I have yet to see inked on someone’s body until now!  Rodrigo down in Mexico City sent me his Riemsdyk tattoo saying, “People think I’m crazy but I really like Riemsdyk`s drawings and the history behind them.”  The illustration was originally drawn by Jan van Riemsdyk, in Anatomia uteri human gravidi (The Anatomy of the Human Gravid Uterus), by anatomist William Hunter (1774).

Tattoo by Pablo Xno, Mexico City.

 

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Mermaid Polka, Sheet Music,1850

I love these delectable creatures of the nautical sublime, especially their seaweed bracelets and headdresses. As described on the Beauty, Virtue and Vice online exhibit of the American Antiquarian Society website (from which the images is also sourced):

Mermaid Polka. Lith. of Napoleon Sarony, 1850. [H. D. Hewitt]

In the nineteenth century, informal musical entertainments were a very common American pastime, and the piano was a common presence in American parlors. The piano’s rise in popularity coincided with advances in printing technology, and a booming sheet music industry was one result of these simultaneous developments.

American consumers purchased particular pieces of music for various reasons. Certainly, popular songs of the American musical stage became bestselling sheet music, but it is clear that sheet music publishers recognized that American consumers would buy even unfamiliar music if the cover art was appealing enough. Pictorial sheet music covers did double duty within the household: displayed above a keyboard even when a piano wasn’t in use, they functioned as decorative art.

Nineteenth-century pictorial sheet music covers capitalized on an endless array of already popular subjects, ideas, and themes in order to capture buyers’ attention. Over the course of the nineteenth century, sheet music images of beautiful women remained the most consistently popular type of illustration. In Mermaid Polka, these nude and loosely robed young women are graceful, demure, and carefree. They embody various ideas about women’s nature, with a titillating erotic accent. This lavish visual fantasy of beautiful young sea nymphs frolicking in the moonlight was meant to appeal to a wide variety of potential buyers. While women and men alike might have enjoyed this image for its pictorial beauty and expression of innocent romantic pleasure, men might also have associated it with antebellum dancing-girl performances (which were enjoyed by overwhelmingly male audiences) and European paintings like Botticelli’s celebrated fifteenth-century work, The Birth of Venus.

More here. Click on image to see much finer, larger version.

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"Rogue Taxidermy Biennial Taxidermy Show;" La Luz de Jesus Gallery, Los Angeles, Through May 27th

I am very excited to announce a wonderful looking new exhibition curated by friend-of-Morbid-Anatomy and Minnesota Rogue Taxidermist Robert Marbury. With the ever increasing popularity of taxidermy in the fine arts world, this "Rogue Taxidermy Biennial Taxidermy Show"comes not a second too soon, and features the work of such creative-taxidermic luminaries as Sarina Brewer (top, "Sweet Dreams"), Adam Wallacavage, Jeanie M. (center, "Arabian Squirrel on a Flying Carpet"), Jessica Joslin, and our own Daisy Tainton (bottom, "A Patient's Despair"), teacher of Saturday's Anthropomorphic Insect Shadowbox workshop (more on that here).

If I was in Los Angeles, I would be on my way to see this right now! For those of you in the area, full info follows:

ROGUE TAXIDERMY
Our Biennial Taxidermy Show
La Luz de Jesus Gallery
May 4th – 27th, 2012

The Rogue Taxidermy 2012 Biennial, curated by Robert Marbury, features 25 of the most interesting artists working in taxidermy today. Rogue Taxidermy, a mixed-media art utilizing taxidermy materials, is more closely related to surrealism than to mainstream taxidermy. The work in this show spans genres and materials to expresses the individual artist's approach to and love of natural history and preservation.

There are some great photos from the opening here.
All members of the MINNESOTA ASSOCIATION OF ROGUE TAXIDERMISTS implicitly pledge by merit of their membership to abide by the following ethical regulations:

1. All members pledge to continually strive to make efficient use of the animals and parts of animals employed in the creation of their art. Wastefulness is strongly discouraged.

2. Animals shall be procured in a manner that does not require their termination for the explicit purpose of mounting or displaying. Collecting road-kill, accepting, purchasing animals from supply companies and from grocery stores are all considered to be acceptable, ethical means of procuring animals. Recycling and re-use are primary tenets of the association.

3. Please note that it is your responsibility to check with your local Department of Natural Resources and fish & wildlife authorities regarding your taxidermy activities. Be aware that endangered, threatened and protected species (including, but not exclusive to, raptors and songbirds) can only be mounted for museums and educational institutions providing all necessary permits. Roadkill is not excluded from these regulations. Additionally, in accordance with state and federal law, anything utilizing waterfowl, crows, or other restricted birds can only be mounted for the client who provides the animal with all attending permits.

4. If approached to create a custom mount which is generally considered to be a specialty of another M.A.R.T. member, it is strongly suggested that you recommend the services of that member to the potential customer before accepting the commission.

5. Members are greatly encouraged to participate in the care and conservation of living animals.

6. M.A.R.T. seeks to create an open dialogue about the place of animals in our culture. Protests, slander, and admonitions shall be greeted with an attempt to foster conversation. Reacting to criticism in a cruel or indignant way is considered antithetical to the M.A.R.T. mission statement.

You can find out more about this exhibiiton by clicking here. If you are interested in signing up for Daisy Tainton's class, click here for more.

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