Search Results for: damien hirst

Damien Hirst at the Tate Modern April 4–September 9, 2012

Damien Hirst Hymm Tate Modern London

Damien Hirst Hymm Tate Modern London

Damien Hirst Anatomy of an Angel Tate Modern London
Photos by Vanessa Ruiz

If you are in or around London this summer I highly suggest going to the Damien Hirst exhibit at the Tate Modern, on from April 4—September 9, 2012.  A few of my favorite anatomically themed pieces are shown above: Hymn (199–2005) and Anatomy of an Angel (2008).  Others I couldn’t sneak photos of were Trinity—Pharmacology, Physiology, Pathology (2000) and of course, For the Love of God (2007).

This is considered to be the first major overview of Hirst’s work in London and it’s a wonderful chance to see the development of his career.  You can see the absolute precision and opulence build as you go through all 14 rooms of his work.

A few favorite quotes from Hirst throughout the exhibition:

“In an artwork, I always try to say something and deny it at the same time.”

“I just want to celebrate life by saying to hell with death.”

“There [are] four important things in life: religion, love, art and science.  At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end…”

 

View more of Hirst’s work and a live feed from his studio at damienhirst.com.

 

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Damien Hirst at Chatsworth House

As part of the Beyond Limits sculpture exhibit at Chatsworth House in England, Damien Hirst has created two beautiful anatomical sculptures.

Damien Hirst Beyond Limits

Together they are Myth and Legend. Legend is exposed horse with wings open wide. Myth is the unicorn, two of whom’s legs have the skin pulled back.

Hirst sites his fascination with the relationship between science and religion and how the two interact. Hirst said, “to cut open mythical creatures and expose them as no different to mortal horses is somehow still magical. It’s kind of like exploding a myth to make it real.

Beyond Limits opens September 16 and runs through October 30th. 20 artists are featured.

As a fan of horses and any horse-like mythical creature, I am completely in love with these sculptures. I like the idea of using religions or religious ideas that are considered to be known as false. It forces the viewer to reflect on current religious ideals and question the validity of them. What makes a unicorn any less real than anything in Islam, Christianity, and so on?

Damien Hirst Myth Chatsworth House

[sources: Chatsworth + MyModernMet]

 

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New Documentary Film About Victorian Anthropomorphic Taxidermist Walter Potter? Yes Please!

As many regular readers know, these last few months I have been hard at work on a new book about Walter Potter, the British Victorian anthropomorphic taxidermist best remembered for such epic tableaux as Kittens’ Wedding (4th image), Rabbits’ Village School (3rd image) and The Death and Burial of Cock Robin. The tiny museum in which he showcased these tableaux--along with sundry freaks (bottom image) and curiosities--was open to the public for nearly one hundred and fifty years until it was, tragically, divided at auction in 2003.

Entitled Walter Potter's Curious World of Taxidermy, this new, lavishly illustrated book will celebrate the life and work of Walter Potter; it aims to reunite--if virtually!--his curious collection which is now, sadly, scattered around the world in a scores of private collections. It features droll and informative text by Potter scholar and collector Dr. Pat Morris; a charming foreword by pop art legend (and Potter enthusiast) Sir Peter Blake; and dozens of brand new photos of some of the most important of Potter's pieces.

The publisher and I invited Ronni Thomas--the man behind the Midnight Archive web series--to produce a video trailer for the book. Ronni became so completely captivated with the subject that he has decided to create, in addition to said trailer, a brand new documentary film based on Walter Potter's life and work.
I think we can all can agree that what the world really needs is a documentary film about the amazing life and work of Walter Potter. And in order to raise funds to complete this project in the style it deserves, Ronni has done what kids today do: He has launched a Kickstarter campaign, from whence the short film above.

I implore you to join me in supporting this worthy cause. And not just out of the kindness of your heart! Funders of this project will also receive a variety of exciting awards including (but not limited to) deluxe DVD/Blue Ray versions of the final film, a special advance copy of the book Walter Potter's Curious World of Taxidermy, special limited edition Potter postcards featuring never before seen photographs, and even, for the highest bidders, a custom film made especially for you. You will also, of course, receive film maker Ronni Thomas' undying gratitude, and contribute towards making the world a better place.

Following is more about the project, in Ronni's own words; You can find out more about this very worthy campaign (and join me in making a pledge!) by clicking here.

The Taxidermy Wonders of Walter Potter: A Short(?) Film
A short documentary featuring the life and strange artwork of amateur taxidermist Walter Potter by Ronni Thomas of The Midnight Archive.

Walter Potter was a Victorian self-taught taxidermist from Sussex, England who is best known for his large-scale anthropomorphic taxidermy tableaux including The Kittens’ Wedding, Rabbits’ Village School and The Death and Burial of Cock Robin. Until very recently, his truly unique collection has only been seen in its entirety by those fortunate enough to have visited his museum before the contents were auctioned to private collectors in 2003. For the first time – and with the help of historians, photographers, and collectors of his work – I intend to document Potter's life, creations and legacy in the latest installment of my award-winning Midnight Archive web series. The Midnight Archive generally consists of short (3–5 minute) pieces, and I have for some time been eager to grow these short 'episodes' into greater and longer stories. I feel that an episode about the life and work of Walter Potter is the perfect project to take to this next level. To do this right will require a little more than the casual subway ride around town. A project of this size will require a budget to make it happen, and I am hoping that I can persuade Potter fans and enthusiasts to pitch in to help make this the great film it deserves to be.

This film will feature some of the very first footage of these fantastic creations over one hundred years in age, many of which are now scattered around the globe in the homes of private collectors and thus nearly impossible to see. Among the collectors I will seek out to play their part are Sir Peter Blake – seminal pop artist, designer of the Sgt. Pepper album cover, and enthusiastic Potter collector – and artist Damien Hirst, who allegedly tried to pay one million pounds to halt the auction and keep the Potter collection intact. The film will also take you behind the scenes into an assortment of fascinating private collections in the US and the UK.  Most importantly, and as always with the work I do, the piece will be thorough, dynamic and beautiful. Please donate all you can!

Risks and challenges
So, Potter's work is now scattered around the globe and owned by many different collectors. Many of the people are not easy to pin down, or are wary of talking to just anyone. Using the track record and proven integrity of The Midnight Archive series, and my connections with the co-author Morbid Anatomy's Joanna Ebenstein and publishers of Walter Potter's Curious World of Taxidermy – the delightful new coffee table book coming out this September – I have not only unprecedented access to many never-before-seen photographs, but also to many of the narrative's key players. Most importantly, if anyone is already familiar with the work I have created thus far, it becomes clear that I can do humble justice to this subject. I have many relationships with festivals and distributors, and I am well respected as a filmmaker, so I expect to gain a maximum amount of exposure for this project.

I will do this project whether or not this fundraising is successful; it will, however, be a longer and more in-depth work if we manage to raise the money. We're not asking for much, and all funds will go into the film itself (no first-class tickets on this shoot). Much like Potter himself, my intention is to make a great work of art, not capitalize on it...

Again! You can find out more or make a donation by clicking here.
Images:
  • Bunny Schoolhouse: Found here 
  • Kitten Wedding: The Telegraph; by Marc Hill/Apex
  • 8 legged kitten postcard: Found here

Source:
http://morbidanatomy.blogspot.com/2013/06/new-documentary-on-victorian.html

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Mortadella

Christian Gonzenbach Mortadella

Mortadella, 2006 85 x 67 x 4 cm ultrachrome print laminated on acrylic

If only all processed meats came in this shape, perhaps we’d be less inclined to eat them.

Swiss contemporary artist, Christian Gonzenbach formed this piece of morbid cold cut.  It was displayed along side the infamous For the Love of God diamond encrusted skull of Damien Hirst among other famous pieces at the Vanities from Caravaggio to Damien Hirst Musée Maillol exhibition in Paris back in 2010.

Gonzenbach says of his work, “My research consists in exploring this exiguous border between the normal and the weird, where the world looses its meaning and topples over into absurdity, craziness or poetry.”

 

[spotted by Fé]

 

 

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"Not for the Squeamish: The History of Artists and Anatomists," Lecture/Studio Class, Jonathon Rosen, School of Visual Arts



For all of you New Yorkers out there: friend of Morbid Anatomy Jonathon Rosen has just alerted me to an amazing sounding class he'll be teaching as part of The School of Visual Art's continuing education series. He has also asked me to give a lecture as part of the course, so maybe I'll see you there!

This class is open and available to all; full details below. Hope very much to see you there!

Not for the Squeamish: The History of Artists and Anatomists

ILC-2196-A

T, Sep 20 - Nov 22

Hours: 06:30PM - 09:15PM

2.50 CEUs; $335.00

Course Status: Open

Location: TBA

Register for this class by clicking here!

Temple of the soul or soft machine? The human body is a place where art, science, culture, politics and medicine intersect. This lecture/studio course will focus on artists from ancient to modern who use the body as a point of departure for personal, political, religious or scientific commentary, and will provide an opportunity for students to do likewise. The influence of traditional medical imagery on contemporary art-making and pop culture will be explored through the lens of history, culture and aesthetics. Examples will range from medieval manuscripts and obscure Renaissance medical surrealism through enlightenment era wax-works, Victorian charts and medical devices to Damien Hirst, the virtual human project, Bodyworlds, and beyond. Aesthetic surgery, genetics, biomechanics, medical museums, anatomy in movies, French underground comix and anatomical oddities will also be considered. Your assignment will be to respond to the lectures with several editorial artworks that incorporate medicine or anatomy-be it personal or political, singular or narrative, 2D or 3D, static or moving. Students may use the medium of their choice; projects are not required to be anatomically correct. Prerequisite: A basic drawing, photo-collage or photography course, or equivalent.

Jonathon Rosen

Painter, illustrator, animator

One-person exhibitions include: La Luz De Jesus Gallery, Los Angeles; Adam Baumgold Fine Art; Studio Camuffo, Venice

Group exhibitions include: Triennali, Milan; Yerba Buena Center for the Arts, San Francisco; P.S. 1, Contemporary Art Center; Kunstwerk, Berlin; Exit Art

Publications include: American Illustration Annual, Print, World Art, LA Weekly, Eye (London)

Books include: Intestinal Fortitude, The Birth of Machine Consciousness

Clients include: The New York Times, Snake Eyes, Time, Rolling Stone, MTV, Blab!, Sony Music, The Ganzfeld, Details. Journal drawings for Sleepy Hollow, Tim Burton, director

Awards and honors include: Gold and silver medals, Society of Publication Designers; artist-in-residence, Harvestworks

Website: http://jrosen.org/

You can find out more--and register!--by clicking here.

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Modern/Contemporary Art and the Curiosity Cabinet, Conference, Seton Hall University, New Jersey, February 5th




For the curious (sic) among you: On Saturday, February 5th I will be presenting a short lecture as part of the very intriguing looking "Modern/Contemporary Art and the Curiosity Cabinet" conference hosted by Seton Hall University. Lawrence Weschler--author of one of my all time favorite books, Mr Wilson's Cabinet of Wonder--will be giving the keynote address on “A Natural History of Wonder;” my piece will examine the revival of private cabinets of curiosity as explored in my Private Cabinets photo series, from which the above images are drawn. I will also talk a bit about my own Private Cabinet experiment, The Morbid Anatomy Library.

This event is free and open to the public. Full line up and schedule follows; hope to see you there!

Modern/Contemporary Art and the Curiosity Cabinet

10-10:30: Coffee

10:30: Welcome (Petra ten-Doesschate Chu, Seton Hall University)

10:45-11:45: Lawrence Weschler, Keynote address: “A Natural History of Wonder.”

11:45-12:15: Kirsten A. Hoving, Middlebury College, “Thinking Inside the Box: Joseph Cornell’s Cabinets of Cosmic Curiosity.”

12:15-1:15: Lunch

1:15-1:45: Melissa Ragain, University of Virginia, “Wonder as a Way of Seeing: Gyorgy Kepes and the Center for Advanced Visual Studies

1:45-2:15: Matthew Palczynski, Philadelphia Museum of Art, “Organizing the Curious Damien Hirst”

2:15-2:45: Patricia Allmer, Manchester Metropolitan University (UK), and Jonathan Carson & Rosie Miller (artist collaborators), University of Salford (UK), “Playing in the Wunderkammer”

2:45-3: Break

3-3:30: Joanna Ebenstein, Morbid Anatomy Library, “To Every Man his Cabinet or The Morbid Anatomy Library and Cabinet and the Revival of Cabinets of Curiosity.”

3:30-4: Roundtable with artists, led by Jeanne Brasile, Seton Hall University

4-5:30: Reception

You can find out more here and get directions by clicking here. This symposium is being produced in conjunction with a new exhibition called Working in Wonder at the Walsh Gallery at Seton Hall University; You can find out more about that by clicking here.

All of the photos you see here are drawn from my Private Cabinets series; you can see the full collection by clicking here; the first two images are from the collection of Tim Knox and Todd Longstaffe-Gowan; the bottom image is from the collection Evan Michelson of Obscura Antiques (and also more recently the television show "Oddites.")

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